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HOW TO KILL A DJ – Day 2

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11057221_518288024996422_8856540957208814254_nTO MAKE CHANGES NOT EXCUSES

I have lived and breathed music since before I was born. My musical heritage started with my mum, Blanche, who was a jazz and cabaret singer. In the 60s she co-owned ‘The Ebony Club’, the first integrated dance club in Manchester. Legend has it that, when she was pregnant with me and my twin, her waters broke as she was singing onstage with her band at the Free Trade Hall in Manchester. Consequently music and sirens run through my veins like A Rhesus Positive.

It wasn’t long before I’d graduated from ‘Up Jumps A Rabbit’ to David Bowie, The Beatles, The Jacksons, TSOP, Roxy Music and a wild mixture of funk, soul, new wave, electro and disco. The first 7 » single bought solely for me was ‘Pop Musik’ by M

M – Pop Muzik

I can still remember every lyric now I played it that much. Next I pooled my spends with my twin sister Paula to buy The Crusaders’ ‘Street Life’

The Crusaders – Street Life

and The Police ‘Message In A Bottle’ (import on green vinyl)

The Police – Message In A Bottle

I financed and fed my music addiction with an after-school and weekends paper round that bought me 12s by  Human League, Gary Numan, John Foxx, Spandau and Duran Duran.

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Most djs I know start like this. We are the Indiana Jones’s of our chosen fields. But there is much more to dj’ing and being a success that depends on exterior forces. No matter how much you know, the how much you do, the how many people you pull in and the who you know and who they know who can help and push you will take you much further. It takes a team. No man is an island, especially on this island. For three years I have been knocking on doors but getting slow-where. To succeed on this island – and to live here all year round – you have to hustle hard and I am missing those essential genes and chromosomes. True, I can hustle better than some, but not as well as most. So when the work offers come in and the receipts are totalled, they don’t place my earnings anywhere near Calvin Harris or the Swedish House Mafia in the Forbes Rich List. Not this year anyway.

All things considered I am an above average ( sic award winning) dj who, so far, has lived a pretty amazing life. I have happily enjoyed the fruits (and the odd Bounty) of 20 odd years of this character building, life shaping career loosely termed as dj’ing. On any given day it’s the music that drives me, that blows my core reactor sky high. It’s a weird quirk – and I’m not sure who else feels this, but my temperature goes through the roof when I’m in the mix. It doesn’t matter whether I’m playing nu to deep house across Europe or disco, funk and techno in Ibiza – my biological reaction is the same. Or maybe that’s just a Samantha-strength hot flash.

What started out as a cash-in-hand hobby gave me a much needed release and relief from my ‘blink and you’ll miss it’ marriage and intense graduate studies. Since then it has provided the backdrop and antidote to three relatively high pressure (not JLaw or Beyoncé level …) music industry day jobs. Trowel on a few impressive bouts of burn out, some long-term overseas living in two countries and two extra languages and it’s grown into an internationally recognised career that has been my sole source of income since 1999. Like Peter Pan’s shadow, it has become who I am without my having even noticed. Now it’s time to pick it apart, restitch and reinforce the seams so that it fits me better.

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Wherever my heart and soul crash into any genre – there you’ll find my sound and my record collection. I like to pour this over ice into a long and strong-sipping set. Like when push came to a great freezer bag heaving shove for the nine hour luxuries of my Ibiza summer. Two fried hard drives and a flooded storage unit did nothing to deter me from creating nine hour, 75 to 130 bpm odysseys out of a cobbled together collection of Cds from the dry boxes in my I-Safe storage unit.

I always put a lot of love, heart, soul and effort into my sets. So you’ll understand my Paddington hard stare when people congratulate me on my set by saying either (as an innocent compliment) that it was a great set for a girl, or worse, that I am wasted.

Paddington – Hard Stare

‘But I haven’t drunk a drop’ I say. They don’t mean mullered though. Not even spannered. Not spangled either. They mean wasted as in unappreciated, as in I should be playing somewhere better than this. Somewhere bigger. Somewhere fuller. Somewhere cooler. Feel that burn. I’m always polite back. I believe in myself and good manners and argue (most times without swearing) that they have it all wrong. I fan them with the flames of my absolute devotion, searing love and passion for music and dj’ing. Facts, figures, statistics, wherefores, howevers, whatevers, why nots and whys are all my friends. Yet this side of season end, all that has suddenly stopped making sense. I have a fluttery feeling that’s nothing to do with a post Pulpo Gallego Gaviscon shot and everything to do with my pesky gut instincts?

I love my life and my job and I’m truly grateful for all the joy and the lazy (by 9-5’ers accounts) lifestyle that it brings. Yet something about its rhythm has started to frustrate me. It also bothers me that disappointment has tinged the edges of a happily busy season. Doing OK is not an option when you live alone anywhere and especially not on this expensive island. My heart says ‘feel the love, keep on keeping on and remember the good you’ve done here’. My head says ‘no regrets, you’ve enjoyed your time here, now take what you’ve learned and build on this elsewhere. Make sure that the people you keep around you, the way you do your job and the choices you’ve made throughout the years are continually helping not hindering your progress. Make sure that all of this has been worthwhile.’ My heart can’t wedge a word in edge-wise. My head always has a lot to bloody say.

Meanwhile, my instinct is shouting ‘man up’. This is a small island. You can only take so many pictures of sunsets and delicious seafood platters and of the same people in the same places at the same parties in the same clubs before you start to see the groundhogs. Logic says it’s not disloyal to want to do something more with your life and do this somewhere else.

It looks like this is a good time to let the Ibiza me go. So this is when the fun begins. No present like time.

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Sterling void & Paris Brightledge – It’s Alright

Sterling Void sang ‘and the music plays forever’ and like every seasoned raver that knows the rest of those lyrics, I know ‘it’s gonna be alright’. But I love it here. I love living and working in Ibiza. I know that the highs I have experienced are not the sort of rush I will ever match pushing papers at a desk job. 20 years plus spent appearing on stages and in superclubs, playing to hundreds of thousands of people, rushing through the streets of Paris with a police escort and playing to thousands of people in some sublime outdoor venues and being ushered into a club with people screaming your name and security flanking you every night leaves you breathless. It is a proper head trip. So is hearing your jingle and name played daily or weekly on the radio. Receiving awards, being paid to do what you love and not feeling like it’s work at all – these are blessings indeed that are worth more than a ton of Class A’s bought at cost price on Silk Road. Does cashing up before you hang up a barista’s pinny in Costa Coffee come a close second ? Of course not. The memories I have of the last 20 years are nothing short of amazing, and the shared nostalgia runs deep, but no matter what level of player you are, sooner or later you have to make a choice. Something has to give in the bizarre love triangle between you, your life and the music. Or does it?

No matter what the vagaries of the economy and political climate have thrown me, I have evolved, persisted and persevered when others like me (who were far more successful than me) have thrown in the towel. But the recurrent nightmare persists. A legion of flesh-eating, retrained zombies beat a grisly path to a 6 star (hi speed wifi mandatory) DJ Rest Home to prey on the weak. They break every window and door down but the stone-deaf dj’s inside are oblivious to the groaning and battering and sound of breaking glass. I wake up in a cold sweat and reassure myself with some comforting affirmations.

  1. I rise to more challenges than a Great British Bake Off finalist.
  2. I bounce back from more knock-outs than Stuart Hall.
  3. I rebuild myself, my life and everything surrounding me from ground zero in four cities and three countries
  4. I am harder, better, faster.
  5. I always replicate excellence.
  6. I am a Princess. Or a Kardashian. Child swapped at birth.

It’s time for some tough love. I can feel the sand shifting. The tide of emotions, that ebb and flow of ending and beginning, is rising like the kraken inside me.

 

Below the thunders of the upper deep;

Far far beneath in the abysmal sea,

His ancient, dreamless, uninvaded sleep

The Kraken sleepeth: faintest sunlights flee

About his shadowy sides; above him swell

Huge sponges of millennial growth and height;

And far away into the sickly light,

From many a wondrous grot and secret cell

Unnumber’d and enormous polypi

Winnow with giant arms the slumbering green.

There hath he lain for ages, and will lie

Battening upon huge seaworms in his sleep,

Until the latter fire shall heat the deep;

Then once by man and angels to be seen,

In roaring he shall rise and on the surface die.

‘The Kraken’ by Alfred, Lord Tennyson

 

Tracy said ‘9 months and go out laughing’… how to do ? I mean how to do ?

my colonel-mustard

TO BE MOTIVATED NOT MANIPULATED

I am pregnant with an idea. In the next nine months I will plan my own murder. It’s going to be like a giant game of Cluedo (bags-eye the glorious sunflower yellow, of course).We’re playing on a giant board with music and a rave in each corner plus a few good friends and some pictures of sunsets and poetry and planning. Most of all with planning. Much as I’d rather it was DJ Paulette in the main room with a USB stick, my loaded laptop is far mightier than a 64MB pen drive. The goal is to go out laughing… and to do this with crowd support (or crowd funding).

50/50 or ask a friend? I’ve never been fifty and I’ve never retired before, so forgive me for not wanting to call this and not knowing how to be or do either. Apparently I don’t look it, (ie forty eight, whatever that means). I subconsciously don’t ACT it, I certainly don’t feel it and I definitely don’t want the music to stop, which is four quarters of the problem. I don’t know any dj who has so-called retired who has not been exhumed weighing at least ten kilos heavier and with way less hair on top of their heads. Or more if you’re Paul Oakenfold. Admittedly Oakey never went away but either he has Wayne Rooney’s hairdresser’s number or I am Michelle Obama. Every DJ resurrection involves waving one’s legend like Excalibur (or an enormous Nag Champa jostick if you’re Balearic) in one hand and spinning a bag of oldskool house and rave classics with the other. I am never going to give up my music, yet I struggle with this. I’ll just have to wing it.

Aloe Blacc – I Need Dollar

I’m not saying that it will never be attractive to me but the concept of playing a set of big old tunes and back to back house classics does give me the willies. Who wants to play all the old hits ? All night ? Back to Back ? Without a break ? To a public with a school reunion mentality but dressed in modern rave attire instead of novelty school skirts, shorts and ties. I dread that awkward moment when my set can be timed by the placement of Voodoo Ray, Gat Decor, Dream Lover, Good Life, Strings Of Life, Big Love, Higher States of Consciousness, Jaguar and Promised Land. Where to next, once the punters start to remark on their Pavlovian regularity (and believe me they will)? I’d rather have my head slammed repeatedly in a Metrolink door than have to play all the hits just for dollar. I’m sure that science has proved (somewhere) that a roomful of monkeys could cobble together a respectable classics set using the new Pioneer CDJ2000s. Somebody just shoot me now. And don’t get me started on people making a career out of re-editing other people’s music. Should you find me hypocriting somewhere by headlining the next big ‘back to 1994’ wrinkly rave, feel free to show me this paragraph. But hold the door for me when you see me carrying my Bitcoin billions into the bank.

How can I change tack without going too far off course and keep buzzing about music and clubs? How can I make the sort of change that stretches and inspires me ? One that is legal, decent, conscious, honest, unselfish and generous? Which option or opportunity might provide the stepping stone to the next chapter?  And is it possible to see my bit part written into Manchester’s musical herstory? Am I doing the right thing even? I don’t know the answer to any of these questions but I feel ready to go boldly and raucously into the nights, dark and dazzling,  that this pilgrimage is about to bring.

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About those options and opportunities. I have decided to keep a diary. This diary. Maybe it’s not the career booster method that immediately sprung to your mind but don’t knock it. It’s a start. Psychologists recommend writing your feelings out and I have a lot of those.

Inspired by the picture I have in my mind and the cyclone of words flying like butterflies around my head, I sit at my computer poised to write. I am mostly waiting for an Emmaus sized catharsis and revelation. I look like I am trying to squeeze this out like it’s a silent fart in a lift. Then I stop dead like a Basset Hound on the scent of something it can’t quite define or recognise. The screen is still white and I am suffering from divine blindness. A question and answer session ensues. With myself. Out loud (of course). I regularly consult and argue with my inner expert. Should I post it this a blog ? Yes maybe – then my links will make immediate sense to the swipe generation. Do I post it as a vlog ? Erm – can’t be arsed making crap hand held / selfie stick clips on my iphone – they look so home made and unprofessional. Plus there’s always something embarrassing on the bathroom floor and out of frame toilet shots aren’t the way I’d like to go viral. Who in their right mind takes a selfie after doing a number 2 and before flushing the chain? Not me. Home photo sessions and videos are indeed really shite. Add some scruffy randomness on the bed or sofa or kitchen work top that you wish you’d moved before you pressed record and send … No. Something has to be left to the imagination – at the outset at least. But if that fails, then there’s always Youtube, Instagram and live streaming.

Try as I might to drag it behind me, this body is heavier than I thought. If I’m going to murder myself (on paper) I need a good plan and a lot of help (not just psychiatric). I am thinking ‘Sex and The City’ with a bit of ‘Shallow Grave’ but all wrapped up in ‘I’ll Be There For You’. It’s got to be a cross platform affair. It’s a sad state of play but most dj’s, a&r’s and managers I’ve spoken to don’t happen to list reading as one of their preferred past-times. Unless it’s a flyer. Or a contract. I need to make this so called DJ Life resonate with any and every unannounced eavesdropper outside of this room, this house and this industry. Hmmm … * scratches head *. My premise is solid. No matter how amazing the life, we are all mortal. We are not forever young. Not even Madonna and Calvin Harris. OK maybe Madonna.

The words start to flow, then I delete it all. I write some more. Then doubt and insecurity bound up, panting like two daft Collies who keep returning with a stick for me to throw. Now I am freaking out about what people might think. I tell myself that it doesn’t have to be perfect and that there’s room for fine tuning. And I’m thinking – ‘BUt what if I’m not big enough’? Better to be honest and brave, to do and say the right (write) thing and write the book I have in my head than to be an ostrich who never sees or changes anything and doesn’t ever do anything different.

Breathe. You know it’s gonna be alright. Everything will turn out just fine.

Focus. Think positively. I open Youtube for inspiration and watch best animal clips before making a bee-line for the freezer. I find and eat a Magnum that has been maturing for so long that it could easily have ripped a hole in the other side of the Titanic. I sit back at my desk enjoying the ice-cream brain freeze, then demolish the rest of my half-eaten, in-case-of-emergencies bag of Haribo that’s been sitting on my desk since last night. I stare alternately at my fingers and the screen, glaze over, then do practically fuck all* after this, due to the sugar rush and food coma. *Note to self – I can do this doing fuck all thing quite well.

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Don’t think. Just do it.

… To Be Continued …

ABOUT POETRY: the joy of haikus

By | art, article, image, original, poetry, quote, reference, writing | No Comments

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I have always had a deep love and respect for poetry: TS Eliot’s ‘Macavity – The Mystery Cat’ http://tiny.cc/9it0ex thrilled me as a child and later Shakespeare’s sonnets http://www.shakespeare-online.com/sonnets/17.html and plays ‘Othello’, ‘Hamlet’, ‘Macbeth’, ‘The Tempest’, ‘Richard III’, ‘A Midsummer Nights Dream’, ‘The Merchant of Venice’, ‘The Taming of The Shrew’ and ‘The Twelfth Night’ introduced me to history, fantasy, reality, love, loss, passage of time, beauty, mortality, politics written in such a way that real emotions were wrought from the words on the page. Studying Shakespeare also gave me an insight into the phenomenal craft of a poem written to book length aka a ‘play’. Six years later, TS Eliot’s ‘The Wasteland’ blew my academically mushrooming and hormone ravaged mind. I clearly remember the day that my English Literature A-Level teacher, Mr Birch, said loftily (whilst rubbing his profuse beard) that ‘prose was an open hand and poetry was a closed fist’ – from this moment the inspiration ran high to punch well above my literary weight with such a fist and the resonance rang deeper than an Atlantean bell. I have always preferred writing poetry (although up to now it’s been mainly personal stuff that nobody sees or reads) to prose: it presents much more of a challenge to me.

Now if poetry is a closed fist then my preferred, and the very succinct, Japanese Haiku form is an iron fist welded fast inside a titanium lined velvet glove.

Wikipedia states:

Haiku

This article is about the Japanese poetic form. For haiku poetry written in English, see Haiku in English. For other uses, see Haiku (disambiguation).
Haiku (俳句 haikai verse?)About this sound listen (help·info) (no separate plural form) is a very short form of Japanese poetry typically characterised by three qualities:

The essence of haiku is “cutting” (kiru).[1] This is often represented by the juxtaposition of two images or ideas and a kireji(“cutting word”) between them,[2] a kind of verbal punctuation mark which signals the moment of separation and colors the manner in which the juxtaposed elements are related.
Traditional haiku consist of 17 on (also known as morae), in three phrases of 5, 7 and 5 on respectively.[3]A kigo (seasonal reference), usually drawn from a saijiki, an extensive but defined list of such words.
Modern Japanese haiku (現代俳句 gendai-haiku?) are increasingly unlikely to follow the tradition of 17 on or to take nature as their subject, but the use of juxtaposition continues to be honored in both traditional and modern haiku.[4] There is a common, although relatively recent, perception that the images juxtaposed must be directly observed everyday objects or occurrences.[5]

In Japanese, haiku are traditionally printed in a single vertical line while haiku in English often appear in three lines to parallel the three phrases of Japanese haiku.[6]

Previously called hokku, haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century.

http://en.wikipedia.org/wiki/Haiku

 

They say you should do one thing every day that scares you. I am now going to publish some of my poetry.

The beginning…